Maine studio announces new Hellboy replica line

LITCHFIELD, Maine — The Apocalypse is here, get your gear. Mike Mignola and Skelton Crew Studio LLC are excited to announce an exclusive license agreement to create the Artifact Archive Collection, limited edition prop replicas spanning the “Hellboy” and “B.P.R.D.” universe. “I’m approaching these as pieces that would have been in the pouches of Hellboy’s belt or picked up in B.P.R.D. members’ travels,” said Israel Skelton, the owner of Skelton Crew Studio. “The possibilities are almost endless and so awesome.” Upcoming replicas include the Elf Shot from “Hellboy: The Wild Hunt,” Bishop Zrinyi’s Button from “Hellboy: In the Chapel of Moloch” and the Bog Roosh’s Nail from “Hellboy: The Third Wish.” The first release is planned for winter 2013. “I’m a huge fan of Mike’s and I’ve wanted to build these pieces for myself for a while,” said Skelton. “He is a legend in the industry and a chance to work with Mike and on this property is such an honor.” Mignola has been crafting the Hellboy universe for almost 20 years. Mignola and “Hellboy,” published by Dark Horse, have been recognized by prestigious Eisner, Harvey and Eagle awards. His latest work, “Hellboy in Hell,” debuted earlier this month. “I’m very excited about this,” Mignola said. Skelton Crew Studio, a sculpting house in rural Maine, has built a name for quality, detailed collectibles since 2009. It’s already the exclusive home to 1:1 replicas for the Eisner-winning comics “Locke & Key,” published by IDW Publishing, “Mouse Guard,” published by Archaia Entertainment and “CHEW,” published by Image. The studio has been featured on G4, and in Wizard and MTV Geek online, and last Christmas made The Onion’s A.V. Club’s pop culture gift guide. Its latest release is a Black Axe pewter replica from “Mouse Guard.” Check the studio’s website, www.skeltoncrewstudio.com, for prototype shots and more release details on the Artifact Archive Collection in coming months. “This year has been amazing and I couldn’t wrap 2012 in a better way,” said Skelton. “The world can’t end now — we have too much work to do.”
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